Book Launch Party for “White, Christian”

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Rainbow Reviews gives White, Christian 4.5 out of 5 stars!

“Well written and engaging, the writing sucks you in from the beginning and never lets go…Christian White is a compelling, fascinating character that comes alive with touches of brilliance and vivid prose.” Check out the full review on Rainbow Reviews.

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White, Christian…a novel by Christopher Stoddard, intro by Bruce Benderson

IN SELECT BOOKSTORES AND ON AMAZON NOVEMBER 16, 2010/PUBLISHED BY TRITON BOOKS, AN IMPRINT OF SPUYTEN DUYVIL

“Christian White, the fragile but somehow dynamic protagonist of the novel, is about to go under when the story begins. Young, attractive, droll, addicted, frightened, cynical, homosexual, infantile, campy, sexually compulsive, he’s a poster boy for a long list of contemporary dysfunctions… In this fascinating novel, the author has intimately depicted the whirling frenzy of a soul with little insight into itself, then put that soul through the sharp-bladed blender of calamity, the only road to this particular character’s self-knowledge. And he has made it entertaining and relevant to us… But the most amazing thing about this book is the author’s ability to sustain his vision.” – Bruce Benderson, from the Introduction to White, Christian

“The details are familiar: familial—and other—dysfunctional relationships, religion, drugs, prostitution, even murder, but Stoddard’s voice is fresh and honest, drawing us in, holding onto our attention and growing empathy.” – Tsipi Keller, author of Jackpot

The borderline lifestyle of twenty-year-old Christian White is a carnival of drugs and sex, accessorized by designer clothes and frequent stealing or scamming. Underneath the decadence are haunting memories of childhood abuse, the death of a brother and a father’s criminal past.

Expecting to make a fresh start, Christian relocates from San Francisco to New York, just as his friends are being rounded up by the police; but life only spirals farther out of control in the new setting. Instead of drugs, Christian’s existence is beginning to center around sex. He has let himself slip into prostitution, and he may have even played a part in the murder of a successful architect, although he can’t remember the evening entirely. It has become increasingly clear to Christian that the only way to save himself is to come to terms with the past, no matter how painful—or how dangerous—the trip.

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“The Purple Confessional”…and Goodbye

Hi all, after careful consideration, we’ve decided to say goodbye to ANTICHRIS_. Below is artwork and writing by some of the talented artists who expressed an interest in contributing to the first print issue of ANTICHRIS_, entitled “The Purple Confessional.” Thanks to everyone else for submitting. We were overwhelmed with amazing work, just didn’t have the bandwidth to go through it all.

If anyone is interested in contacting any of these artists, please email antichrispress[at]gmail.com. Also, be sure to check out White, Christian, the first novel by ANTICHRIS_ editor, Christopher Stoddard, available in select bookstores and on Amazon in mid-November.

Please enjoy our archives and feel free to email us. Thanks to everyone for visiting for the past 15 months! xx

 
 
 
 































THE PURPLE CONFESSIONAL (Art & Writing Contributions)

Jake Remington

“Success”





































“Growler”























“The Three of Us”
























“Run and Riot”


























Siouxzin Handschiegel

“Kelly + Sasha”

I knew he was bad as soon as he sat down.
It wasn’t how he looked.
Exactly.
Welfare glasses + hair early serial killer long.
Too skinny face + grayish skin.
But that wasn’t really it.
There are a lot of unattractive, middle-aged men.
+ they’re not all bad.
He poured me a glass of Budweiser from the pitcher he bought.
This ought to have endeared him to me.
But it didn’t.
He poured me a glass before Sebrina even introduced us.
There was something off about that. But I don’t know what.
“Sioux, this is Kelly. Sasha’s boyfriend.” Sebrina smiled + drank.
Sasha was emaciated + somewhere else.
She slowly looked up + vaguely smiled.
Sort of the way a dog will wag her tail at the sound of her name.
She won’t understand the rest of the conversation,
but the familiar syllables of her name means something.
That’s one thing she can understand.
Sasha was like that.
Sadly.
“Oh. Hi,” I said + shook his hand.
It was damp + weak + it immediately made me want to wash.
With steel wool + lye.
“I like your hair,” he remarked + didn’t let go of my hand.
“Thanks.” I gently tried to extract my hand from his grip,
but he was reluctant to let go.
He grinned + stared into my eyes.
Like he was trying to crawl up into my brain.
I finally had to pull my hand back violent.
+ try to cover the operation with an empty giggle.
Another reason not to like him.
With little desire to continue conversation with Kelly,
I took a cigarette from my pack + was about to light it.
Kelly pushed my zippo away + lit me with his bic.
The flame’s height was set to crack smokin’.
Meanwhile, Sasha had pulled a broken piece of mirror from her purse
+ was freshening her congealed make up.
She was attempting to cover a blister on her top lip
with a mixture of lipstick + foundation.
It wasn’t working well.
“Isn’t she beautiful?” Kelly asked, staring at Sasha.
I inhaled smoke deeply.
“Yes,” I answered.
Maybe she was beautiful once, but not anymore.
She was probably close to my age,
but something horrible had happened in those years.
Maybe she did it herself, maybe it was done to her
That didn’t matter because it was something that could
never be undone.
Sasha’s hair was lank + stuck to her face in clumps.
Her skin was a rough terrain of pimples + scabs.
She had track marks on her hands.
Her mouth was a cemetery + her teeth broken gravestones.
Sasha’s tight tee shirt clung to her small breasts + jutting bones.
She was a reanimated Auschwitz victim.
She was a walking disease.
She was a mother’s nightmare.
She was her mother’s nightmare.
She was me in a few years.

Apparently satisfied with her makeup, she stood up + swayed.
“I gotta go to work,” she slurred resigned.
She leaned over Kelly + gave him a kiss that missed.
“Be careful, baby,” he grinned.
He slapped her ass as she walked away + almost sent her reeling.
Another reason not to like him.
“What kind of work does she do?” I asked him,
curiosity getting the better of me.
He smiled. “What do you think she does?”
“Uh.” Stupid + naïve? Yes.
“Sioux, she’s a prostitute,” Sebrina said gently.
“Oh.”
“I told her I would support her,” Kelly said quickly.
“But, she loves it, you know?”
It hadn’t looked to me like she loved it.
But then I’ve never seen true job satisfaction,
so maybe I just didn’t recognize it.
Kelly leaned over me intimate.
“So, do you have a boyfriend?” he asked.
He was apparently done talking about his girlfriend.
“No.”
“Want one?” he smirked + tried to hold my hand.
Another reason not to like him.

I left in search of the bathroom + neglected to come back.

I apologized to Sebrina the next day.
She forgave me, but disagreed when I said Kelly was an evil bastard.
“Oh, you just got to get to know him, Sioux,” she said.
“Sometimes he comes off a little strong, but he’s harmless.
Really.”
I was still unconvinced.
I told her I thought that there were dead bodies.
There were dead bodies that owed their condition to him.

I hadn’t spoken to Sebrina in a week or more.
She called me to invite me out to a show.
We met at 8.
At the dive bar, waiting for the band, Sebrina bought me a beer.
“By the way, I guess you were right about Kelly.”
“Really? Wha, he kill someone?” I laughed, bringing the can to my lips.
“Well, actually…”
I put down my beer.
“See, Sasha’s friend came over. This guy Kelly never really liked much. I guess Kelly was jealous of him or something. So, when the guy left their apartment, Kelly followed him. He stabbed him to death in the park.”
“He stabbed him?”
“35 times.”

Another reason not to like him.

Jolie Clifford

“What a Drag”















“Rip Me Apart”















“Antichrist”

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ACCEPTING SUBMISSIONS!

ANTICHRIS_, which has in the past showcased new and aspiring artists, is evolving into a printed quarterly zine that focuses on a specific theme for each issue. 

The theme of the first issue of ANTICHRIS_ is “The Purple Confessional.”  Show us your darkest bruises and most grotesque secrets.

The deadline for writing, artwork and photography submissions is 7/16.  We encourage any/all to submit.  Click here for the Facebook reminder.  To submit, please email antichrispress[at]gmail.

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Why We Write

Chris Garvey’s latest piece on why he writes is raw, honest, and much in line with many other writers’ reasons for creating art.  While the life experiences vary greatly, the driving force remains the same. His piece brings to mind a passage from the out-of-print satirical novel by the great Aldous Huxley, entitled Those Barren Leaves.   – Christopher Stoddard, Editor

Excerpt from Those Barren Leaves
By Aldous Huxley

To be torn between divided allegiances is the painful fate of almost every human being.  Pull devil, pull baker; pull flesh, pull spirit; pull love, pull duty; pull reason and pull hallowed prejudice.  The conflict, in its various forms, is the theme of every drama.  For though we have learnt to feel disgust at the spectacle of a bullfight, an execution or a gladiatorial show, we still look on with pleasure at the contortions of those who suffer spiritual anguish.  At some distant future date, when society is organized in a rational manner so that every individual occupies the position and does the work for which his capacities really fit him, when education has ceased to instill into the minds of the young fantastic prejudices instead of truths, when the endocrine glands have been taught to function in perfect harmony and diseases have been suppressed, all our literature of conflict and unhappiness will seem strangely incomprehensible; and our taste for the spectacle of mental torture will be regarded as an obscene perversion of which decent men should feel ashamed.  Joy will take the place of suffering as the principal theme of art; in the process, it may be, art will cease to exist.  A happy people, we now say, has no history; we might add that happy individuals have no literature.  The novelist dismisses in a paragraph his hero’s twenty years of happiness; over a week of misery and spiritual debate he will linger through twenty chapters.  When there is no more misery, he will have nothing to write about.  Perhaps it will be all for the best.

Melancholy: My Muse, My Mentor
By Chris Garvey

As most know or could imagine, depression is depressing. But it can also be pretty inspiring, too. What it inspires varies of course, but if you’re lucky, from the tears, hangovers and lowered libido, you may acquire a little bit of creative stimulation.

Nature is a muse. Lovers, drugs and alcohol can be as well, but love and drugs wear off. One good thing about Seasonal Affective Disorder, or being dejected or a chemical comedown is that you’re left with something: a shitty feeling. And that shitty feeling can proliferate and wreak havoc on your life, or it can motivate you to channel it somehow—whether with a pen, brush, accordion or microscope.

When I’m content or relatively happy, I’m uninspired and bored. At first, doing things that normal-functioning people do is like a breath of fresh air. Hitting the gym three times a week is invigorating; food shopping and cooking is rewarding and cheaper and healthier than eating out. But the allure soon fades. And while friends tell me to embrace these periods of relative peace-of-mind, I just can’t. I crave the ups and downs, the penchant for sad songs, the abrupt crying spells and the drinking alone in bed. It’s fucked up but it’s just the way it is.  

I’m happy to see some phony sense of happiness slip from my grasp. I wouldn’t be writing this, and you wouldn’t be reading it if I was out enjoying a fairly well-balanced existence. I’d be too satiated with going to the gym and cooking and sex and nightlife, and too worn out from the exercise, sex and partying to muster up the energy, desire and concentration to jot down even a paragraph or two.  

Whether scribbled, splattered or screamed, the best art (or at least in my opinion, as ill-informed as it may be) comes from either a period of misery or a life’s worth. With no sadness and inner turmoil, your emotions are stale and conventional. This is a fact, I think, so it makes sense that without the melancholy, one’s songs, sculpture or poetry would be boring, banal and clichéd. 

‘Muse’ reminds me of ‘mentor’—both of which I’ve never had, not in human form, anyway. Both muses and mentors have been extremely influential on world history and on modern-day pop culture. Without Eric Clapton falling in love with George Harrison’s wife, he would have had no muse and we’d have no ‘Layla.’ And without Oprah nurturing the career of Dr. Phil, he wouldn’t have an $80-million a year salary, even though we’d be a lot better off without his bloviation. 

So while I may never have an overwhelmingly passionate and illicit affair with the wife of my best friend who also happens to be a Beatle, I’ll always have a pool of depression from which to draw. And sure, I could use Oprah or some form of guidance in my life, but at this point it’s probably too late. I’m like an old dog that’s been stuck in the pound too long. I may have some potential, but who’s gonna choose me over an un-jaded puppy? I wouldn’t. My proclivity for realism and cynicism can get depressing. And mentors are usually in a good place in their life, so why would they jeopardize their career contentment and life’s achievements with someone like me?  Again, I wouldn’t.

Hereditary conditions like schizophrenia and bipolar disorders can transfer onto generations through DNA. Life-tainting experiences like death, divorce or eviction can open the door to emotional hopelessness. These life moments can bring you to a dark place. But for some of us, depending on hereditary traits, childhood upbringing and one’s own adult life trajectory, it’s a comfortable place to be.

Without the blues, there’d be no B.B., Buddy or John Lee. Without heartbreak, there’d be no ‘Tracks of My Tears’ or the poetry of Sylvia Plath or Picasso’s blue period, and without anguish, we couldn’t draw from the existentialism of Sartre and the raw expression of Kurt Cobain. Sure, Cobain killed himself. Plath did, too. Van Gogh chopped off an ear after some chick dumped him. But what’s better, to live long and even-keeled and leave the world with nothing but a will and a headstone, or to shave off a few decades of life and inner-peace to create something that may move people? There’s no right answer, of course, but I know what mine is.  

Huxley, Aldous. Those Barren Leaves. New York: Harper & Brothers, 1925.

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An American Love Story (2006)

Hi ANTICHRIS_ visitors, this is the second poem from a small chapbook of Christopher Stoddard’s old poems that he’s found and rescued.  Enjoy.

By Christopher Stoddard

My heart beats like an American haunting. Your love spooks me, my caged kin and buried brethren. You are the ghost of yesterday who loves the ghost of me tomorrow.  My heart beats like yours, only faster and harder until I can’t breathe, like I just made love to my dead brother, like my dad just made me when I lay next to you, or when you held my wired hand in the emergency room.  I have room for you in my nightmares.  I have room for you in my heart.

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Beat It by Buono

The second installment from Tara Buono’s Pop Legends! PS MJ died on June 25, 2009. The one-year anniversary is coming up, so this is timely.

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Cool-Aid

By Christopher Stoddard
Before or after reading this, listen to You Wanted a Hit by LCD Soundsystem

This is for the cool kids who are not that cool. This is for the cool kids who associate with the cooler kids but are not as cool as them. This is for the cool kids who dress like the cooler kids but are not wearing the same clothes as the cooler kids. The cool kids are not the cooler kids. You might even consider the cool kids to be semi-cool and the cooler kids to be cool

You’re cool but you’re not that cool. You associate with the cooler kids but you’re not as cool as them. You dress like the cooler kids but you’re not wearing the same clothes as the cooler kids. You’re a cool kid, not a cooler kid. It’s probably safe to assume that you’re semi-cool and the cooler kids are cool.

I’m cool but I’m not that cool. I associate with the cooler kids but I’m not as cool as them. I dress like the cooler kids but I’m not wearing the same clothes as the cooler kids. I’m a cool kid, not a cooler kid. You might even say that I’m semi-cool and the cooler kids are cool.

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11 Hours

Happy One-Year Anniversary to ANTICHRIS_!  It’s been 8,544 hours since the site began. Thanks for visiting!  Please signup to receive our email subscription. 

By Christopher Stoddard

The clock on the man’s iPhone read 9:11 a.m. He only saw the time briefly, just a quick peek at the hour as he, with a tap of his finger, set the alarm to snooze yet again. He left the phone on the floor beside the bed. As he turned on his right side, before closing his eyes for the third time that morning, he shot a glance at the uncovered window. He didn’t see what all the fuss was about. Everyone in the city swore it was going to be the storm of the century, but as far as he could see, there was nothing going on out there except for a light sprinkle. When they saw a blizzard, he only saw flurries.

His boss called and woke him up for good. She wanted to know if he’d be coming into the office that day. She didn’t ask in that demanding boss-tone, no; she was more concerned with how he was doing, if he was feeling better, for it hadn’t been too long since “it” happened. The man told her no, blamed it on the weather. His dog greeted him with bad-breath morning kisses. The dog’s autumn coat littered the floor of the bedroom. The man never got around to vacuuming, so in certain corners it looked like the Wild West after a windstorm. The brightness of the daytime sky, albeit overcast and still snowing, reflected off the fallen snow and lit up the man’s room. The white light accentuated the white in the fur that had been shed by the dog; the light made the fur look whiter than it really was.

The door to his roommate’s bedroom opened, but instead of his longtime friend exiting the living room that had been converted into a second bedroom, an olive-skinned gentleman materialized. He had a mild beard and tousled, thick, semi-greasy hair. All morning the man had been wondering who owned the worn-out, electric blue and black, medium-top Nikes sitting at the front door, a pair of wrinkly socks shoved inside them. The man smiled blandly at his roommate’s trick then walked the dog and left for work.

As he walked through the “backyard” of Stuyvesant Town, a private property located in the East Village of Manhattan, children who had the day off from school frolicked in the snow. The man mused at the spectacle; the children lay in the same areas where his and his neighbors’ dogs had pissed and shit. The children made snowmen speckled with yellow and brown stains.

He walked to the subway wearing rubber boots from Tretorn, a subsidiary of Puma. They weren’t the rubber boots that reached to the knees, no, those ones were more for girls and really gay guys, he thought. The rubber boots he wore cut off at the ankle. They were black with white soles. In between the black and white was a thin blue border. The inside lining of the boots was made of Sherpa fur.

The L train was surprisingly empty. Because of the previous day’s weather warnings of a potential nor’easter, most people stayed home from work. The man couldn’t do that. He couldn’t sit in the apartment all day and work off his company laptop. There were too many distractions, too many easy ways to obsess about other things that were still fresh in his memory.

At the deli downstairs from the office in TriBeCa, the man couldn’t decide what to eat for breakfast, so he bought one of everything: an everything bagel toasted with scallion cream cheese, a single serving of raisin bran cereal, assorted sliced fruit, a whole orange, Tropicana orange juice, not from concentrate and with some pulp, and a bacon, egg and cheese. He also got a blueberry muffin toasted with butter. He paid for everything using his new credit card from Citi.

In his cubicle in the ghost town office, he stared at the smorgasbord of food before him and decided he wasn’t hungry. He received a text from a dude he must’ve hooked up with before because the dude asked the man if he was up for doing it again. The dude had the day off from work like most folks. The man was horny.

The man left work soon after he’d arrived. He took a cab from TriBeCa back to the East Village. The drive took nearly 30 minutes because the cabbie went extra slow in the snow. The man recognized the dude only vaguely. The dude had a very nice-looking face, a toned torso, but thin legs, and only an average-sized cock. The man sucked the dude’s cock while the dude jerked off the man’s cock. The dude came in the man’s mouth without warning. The man ejaculated almost immediately after the dude had. He got dressed and said goodbye.

Outside the dude’s apartment, the man chatted on the phone with his mother and stepfather. They talked about superficial things, the weather and how she loved the Capote novel he’d bought her for Christmas. He told his mother and stepfather he loved them. He found a cab and rode back to the office.

The snow started coming down harder mere minutes after he’d returned, so he used it as an excuse to call it a day. He phoned his boss, who lived and worked in Boston, and told her he was leaving. “Are you okay?” she asked. “Go home and get there safe!” she instructed. She was his Jewish mother and he loved her but not as much as his Roman Catholic mother.

The falling snow looked like a translucent veil hanging over TriBeCa, and also in SoHo. The man stopped at the Angelika Film Center located on the corner of Broadway and Mercer. He bought a single ticket to Single Man, Tom Ford’s directorial debut. He watched it alone and felt like a cliché but did it anyway. The man owned a silk cardigan designed by Tom Ford. It cost 950 dollars. It was the most expensive garment he owned other than his Dior suit, which he rarely wore. He hadn’t paid for either of them. They’d been gifts from friends several years back. The man enjoyed the movie, especially the cinematography. But when he thought about the story further, which had been loosely based on Christopher Isherwood and his life partner, Don Bachardy, who was only a fifteen-year-old boy when they met, it turned the man off.

Prior to watching the film, the man had eaten in the café above the theater: a turkey sandwich with mozzarella and hummus, made fresh and delivered daily, so said the sticker on the plastic package. Downstairs the man had indulged in regular movie food: M&M’s chocolate-covered peanut candies and a Diet Coke.

Upon exiting the theater the man checked his iPhone. No one had texted or called. He walked uptown to Strand, a well-known used bookstore in Union Square. He bought two books written by Aldous Huxley. They were very old editions of Brave New World and Those Barren Leaves, had been printed in 1925 and were falling apart. He also bought Another Country by James Baldwin.

A friend texted the man and invited him to dinner. The snow came down harder. When the man looked up at what looked like a dandruff nightmare, the frozen flakes landed on his eyeballs. The icy sensation was soothing. The man wanted to go home and see his dog, so he respectfully rain-checked the invitation. On his walk toward Stuyvesant Town, the man stopped at Gracefully, an independent, semi-gourmet grocery store on First Avenue. He only wanted to buy vegetables, but the bill totaled less than five dollars, and the store had a credit card minimum of five dollars, so the man also bought salt and vinegar-flavored Popchips.

In the lobby of the apartment building, the man checked his mailbox. In it was the latest issue of the New Yorker, which he would add to the ever-growing stack of New Yorkers that he’d never read. Also included were two concert tickets to see The National, playing at Radio City Music Hall in June. When he’d bought them he hadn’t understood why the tickets were being sold nearly six months in advance. The man’s roommate also had mail: New York Magazine and several pieces of junk mail. For some reason, the roommate had refused to receive paperless credit card statements, among other monthly bills, so there was a pile of them in the mailbox as well.

Once inside the apartment, the man rested his packages on the dining room table, released his dog from the crate and took him for a severely brief walk—so the dog could shit and piss where the children played earlier in the day—and then immediately returned to the warmth of the apartment. The dog had left a chewed rope in his water bowl. The dog often played with the rope while caged during the man’s outings; it wasn’t uncommon for the dog to drop his toys in the water bowl. The man fed the dog then sat on the chair at the desk in his bedroom. He glanced at the time on the computer monitor and it said 8:11 p.m.

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